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ONCE A CIGAR MAKER: Men, Women, and Work Culture in American Cigar Factories, 1900-1919 (Working Class in American History), by Patricia A. Cooper
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Review
"In her admirably researched Once a Cigarmaker, Patricia Cooper weaves a fascinating tale about the three-way relationship that developed between new technology in the cigarmaking industry, and its impact on both the older generation of skilled, male cigarmakers, and on the unskilled immigrant women who replaced them as the major labor force in the trade after the First World War. . . . [This book pushes] back the boundaries of our knowledge at the interface between institutional labor history, cultural analysis, and the social history of work in a fresh and original way."--Reviews in American History"Among the best studies we have to date of shop-floor work traditions for both men and women. It is a powerful analysis of work, gender, and the union movement that insightfully moves us beyond simplifications about craft union elitism and sexism."--Journal of Social History"Subtle, incisive, and original, Once a Cigarmaker has broken new ground at the intersection of business, labor, and women's history."--Business History Review "This fine study, spiced with humor rare in social history, provides a provocative argument and good reading."--Oral History Review
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About the Author
Patricia A. Cooper is an associate professor of history at Drexel University.
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Product details
Series: Working Class in American History
Paperback: 376 pages
Publisher: University of Illinois Press (January 1, 1992)
Language: English
ISBN-10: 0252062574
ISBN-13: 978-0252062575
Product Dimensions:
6.2 x 1.2 x 9 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#3,572,885 in Books (See Top 100 in Books)
Disappointing. I thought this would be the story of the cigar makers who in the first few decades of the 20th century worked in small shops and factories throughout the United States. I expected to hear their individual and collective stories, the art of their work. But this book, very academic in tone, told very little of their story, concentrating mainly on labor issues, the plight of women in the cigar factories, and the life of the cigar makers union. You really don't get much of the personal stories of the individuals. This book seemed very well researched, and there were some very interesting facts - who knew that there were once thousands of cigar factories throughout the United States? - but it didn't captivate me at all, and by the end of the first quarter of the book I kind of stopped caring. (Though I did finish it.)
This is a great book, but you have the wrong description posted. The book is about the cigar industry, not the movie industry.
I came here to defend this book from James S's unfair review. I read this book years ago and found it to be engaging and informative. First off the book was published by an academic press and not a commercial press so I found James S.'s criticisms baffling. He says it is "very academic in tone, told very little of their story, concentrating mainly on labor issues, the plight of women in the cigar factories, and the life of the cigar makers union. You really don't get much of the personal stories of the individuals." Hello - This book is not an oral history and never claims to be. It is one book in a large series called Working Class in American History. It is as though James is mainly criticizing the book because it is not the book he wanted it to be instead of understanding the book on its own terms.
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