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Senin, 30 Mei 2016

PDF Download Gastrophysics: The New Science of Eating, by Charles Spence

PDF Download Gastrophysics: The New Science of Eating, by Charles Spence

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Gastrophysics: The New Science of Eating, by Charles Spence

Gastrophysics: The New Science of Eating, by Charles Spence


Gastrophysics: The New Science of Eating, by Charles Spence


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Gastrophysics: The New Science of Eating, by Charles Spence

Review

“A chatty whirl through the latest discoveries and their real-world applications, roughly organized by the five senses and different dining situations, Mr. Spence’s book is far from a systematic treatise on gastrophysics.” —Wall St Journal   “[A] delicious explainer” —Real Simple   "Fascinating...[Spence] considers everything from marketing and cognitive neuroscience to design and behavioral economics to get the scoop on how our brains process the food on our plate."—PureWow“Spence has a light touch and a knack for framing research questions in provocative headings: 'What's the link,' he asks, 'between the humble tomato and aircraft noise?' It's a question worth pondering should you have the dubious pleasure of being served an in-flight meal, just as you'll learn here why the barista at Starbucks puts your name on the cup (hint: it's not really a memory aid for said barista). A sharp, engaging education for food consumers and a font of ideas for restaurateurs and chefs as well."—Kirkus “If simply changing the name of a dish on a menu or the color of the plate on which it is served can dramatically alter our perception of taste and food quality, then everyone in the restaurant industry needs to read this and take a deeper look at the scientific secrets Professor Spence reveals in Gastrophysics.”—Larry Olmsted, New York Times bestselling author of Real Food, Fake Food: What You Don’t Know About What You’re Eating & What You Can Do About It“Popular science at its best. Insightful, entertainingly written and peppered throughout with facts you can use in the kitchen, in the classroom, or in the pub."—Daniel J. Levitin, New York Times bestselling author of The Organized Mind and This Is Your Brain on Music“Spence allows people to appreciate the multisensory experience of eating.”—The New Yorker   “Not many people are as ready to realize the importance of the senses as Charles Spence.”—Ferran Adrià, El Bulli restaurant, Spain  “Can’t fail to entertain, inform, and dazzle.”—Heston Blumenthal, The Fat Duck restaurant, UK“A fascinating look at the science of food and how our perception is shaped by all our senses, not just taste.”—Sunday Times (UK)“Gastrophysics serves up a mind-bending menu of fascinating insights.”—Observer (UK) 

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About the Author

Charles Spence is the head of the Crossmodal Research Laboratory at the University of Oxford. He has consulted for multinational companies including Toyota and ICI, advising on various aspects of multisensory design, packaging, and branding. He has featured frequently in Time, The Wall Street Journal, The New Yorker, The Boston Globe, The Washington Post, Forbes, Barron's, and The Atlantic. He is the co-author, with Betina Piqueras-Fiszman, of a college textbook, The Perfect Meal. 

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Product details

Paperback: 336 pages

Publisher: Penguin Books; Reprint edition (July 3, 2018)

Language: English

ISBN-10: 0735223475

ISBN-13: 978-0735223479

Product Dimensions:

5.5 x 0.7 x 8.4 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#352,881 in Books (See Top 100 in Books)

If this description of a Futurist meal appeals to you (on any level) you might like this book:"Pieces of olive, fennel, and kumquat are eaten with the right hand while the left hand caresses various swatches of sandpaper, velvet, and silk. At the same time, the diner is blasted with a giant fan (preferably an airplane propeller) and nimble waiters spray him with the scent of carnation, all to the strains of a Wagner opera."I was not amused, especially when each of the many meals and techniques described in Gastromania seemed designed to see if it could be more extreme than the last!The description of the book from the publisher stressed science, and there was some of that sprinkled through, but there was WAY too much of the bizarre and often obscenely overpriced and pretentious. Even when some science or at least fact-finding was mentioned, too often the mention was not very informative. For example, the author cited that Pizza Hut UK was able to increase customer purchases by an average of more than 20% by a big data analysis project. This piqued my interest, but he never told us what they found out! My inquiring mind is much more interested in that than in descriptions like the meal above. In addition, some of the science is simply wrong. For example, in the discussion of supertasters , the author says that supertasting is associated with a liking for bitter-tasting foods. According to the lecture I attended at the American Association for the Advancement of Science annual meeting a few years ago, that is the exact opposite of their preference---the extra papillae on their tongues make them so sensitive they cannot tolerate too strong a bitter flavor.I had high hopes for the book and did pick up a few nice tidbits, like the term “anosmia”, which is an inability to smell some volatile chemical or other, but ultimately Gastrophysics was just not to my taste.

I'm loving this book and I haven't even finished it yet. My husband may not like it since several times a day I'm telling him something interesting I read in this book. But I think in the end he will love it since I'm applying some of the interesting things I've learned to make my own homecooked food "taste" better! Did you know choosing the right plate, or silverware, background music, or food arrangement can make your food taste better! And so many other interesting facts. I love learning, I love food, I love learning about how we "tick" through the combination of physiology and psychology and this book gives an interesting meld of it all with research and science and really easy to read!

Ordered as gift for professional chef. He loved the book.

Gastrophysics is a manual for restaurants. It lays out in very precise terms how to affect the meal, the satisfaction, enjoyment and memorability of the event. The advice comes from Charles Spence’s day job, running a gastrophysics lab in Oxford, where human guinea pigs give up their secrets – secret from themselves mostly. Things like how the shape of plates or their tint affect the experience. Why airline food tastes less than fabulous (there are four very good reasons). How rotating the plate changes the entire impression of the meal. How spraying food fragrances warms up the audience. How the sound of crispness changes our attitude. How the weight of cutlery changes our impression. How putting up a sign (Italy Week) and using red checkered tablecloths make diners think the same Italian menu items from always are suddenly fresher and more authentic. How eating off a tablet computer screen (as a plate) allows for a background video to complement the food.Who knew the act of eating could be so complex? Every one of the five senses plays major role in our experience. Each one gets its own chapter to start the book off in a highly detailed and instructive, not to say addictive manner. Smell works in two areas – before the food enters the mouth and at the back of the throat. Smell alone has a direct connection to the brain, giving it by far the most influence on our appreciation. Taste, by comparison, is a weakling limited to five sensations. Food in motion (bacon sizzling, cheese flowing, yolks oozing) is a proven irresistible visual in advertising.There are endless experiments restaurants have tried. In order to get everyone in a good mood, one placed mooing cylinders (and nothing else) on its tables. With nothing else to fiddle with, people picked them up, tilted them, and they mooed, quickly causing everyone in the room to do the same, with resultant universal laughter. Controlling the setting is critical, which is why some high end places make you drive 50 miles out of town, and others in the city center allow no windows at all. All these and hundreds more factors are proven motivators of the palate.Unfortunately, we don’t remember food as much as the experience. We remember the setting, the service, the lighting, and the comfort better than the food itself. This is frustrating for super chefs, and they constantly to try to improve the memorability factor, not with the food, but with sideshows. In a nod back at supper clubs with floor shows, they use gimmicks like mp3 players, aroma sprays, live musicians, motorized dessert carts and robot servers to make the event memorable. This leads to a problem with the book: the last third is all about these extraneous attempts to make events memorable, well outside the scope of gastrophysics. The potential of battery-operated forks and fur-covered spoons is beyond. Another problem with Gastophysics is that it is mostly about the superrich restaurateurs. Spence loves citing world-renown establishments, constantly and repeatedly. The kind of places that charge upwards of £300/$400 (and up to £1000) for a set tasting. They are his peeps. But they are the exception. Also, the many soft, black and white images are less than appetizing. Finally, Spence has a nasty habit of overusing exclamation points! Oddly for a scientist so finely attuned to the subtleties of fine tuning, their use is confusing and distracting!The overall impression is overwhelming, making Gastrophysics a go-to reference for the food industry. And yes, you can and should try these things at home.David Wineberg

Spence allows his sense of humor to shine through as he highlights this emerging field targeting both fine dining and that of each of us in our own cultural realm of eating. Certainly, not everyone will embrace these trends, but if you are in the industry, one needs to be aware of their composite and direction. At the very least, it will expand one's appreciation of the science of eating.

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Kamis, 19 Mei 2016

Free Download Accounting 1 (Quickstudy Reference Guides - Academic)

Free Download Accounting 1 (Quickstudy Reference Guides - Academic)

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Accounting 1 (Quickstudy Reference Guides - Academic)

Accounting 1 (Quickstudy Reference Guides - Academic)


Accounting 1 (Quickstudy Reference Guides - Academic)


Free Download Accounting 1 (Quickstudy Reference Guides - Academic)

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Accounting 1 (Quickstudy Reference Guides - Academic)

Product details

Series: Quickstudy Reference Guides - Academic

Pamphlet: 4 pages

Publisher: QuickStudy; Chrt edition (February 20, 2001)

Language: English

ISBN-10: 1572225122

ISBN-13: 978-1572225121

Product Dimensions:

8.5 x 11 x 0.1 inches

Shipping Weight: 1.6 ounces

Average Customer Review:

4.5 out of 5 stars

75 customer reviews

Amazon Best Sellers Rank:

#695,337 in Books (See Top 100 in Books)

I bought this (along with a few other Quick Study charts) for my freshman college son who is studying business and accounting. He was incredibly pleased and happy with this chart and told me it was going to be immensely helpful to him in his studies - especially since his professor understood the material better than he was able to teach it. (A shame, that. But my son utilized study groups and materials to supplement the teacher's lack, of which this chart was one helpful component.)

Man I love this quick study guide. It basically contains my entire financial accounting book in only six pages! From the photo, I thought it was just one page but no it is folded into three pages full of writing front and back for a total of six pages. When I say it covers everything in my book, I mean literally everything I need to know and the beautiful part is it is in exactly the same order as the chapters in my book. For any freshman college student or someone that just wants to learn accounting, this is all you will need forget purchasing those overly priced books. The only thing I have noticed is that it does not include the formulas for things like current ratio, acid or quick test ratio, day's sales average, etc. Other than that this guide is amazing. It basically goes like this: the page in the thumbnail provided by amazon has information pertaining to a summary of chapter 1 and 2 of my book talking about the history of accounting, its origin, what is a debit/credit etc. The next page covers chapters 3-4 like in my book about the accounting equation, assets, etc. And it just continues in that order until you reach stocks bonds owners equity which are the last chapters of my book. You will definitely possess the same knowledge by reviewing this in comparison to someone sitting in class all day being lectured by a professor. Great product. I also purchased one for cost accounting as I could not understand what the book was talking about. These things are great!!

This is especially helpful for us non-account types. This Quick Study guide, in conjunction with the Accounting 2 Quick Study guide, the Accounting Equations & Answers Quick Study guide, and WIlliam G. Droms' book, "Finance and Accouinting for Nonfinancial Managers" go a long way to filling in the blanks for those of us whose focus is necessarily elsewhere.

Great quick intro guide for someone who has to teach themselves accounting and pass job exams!!!!!!☺☺☺☺☺

I bought this Quickstudy of Accounting I. It was all right in reading and reviewing at the fast glace. But some parts of the Accounting theories and mathematics calculations, you must study a text at first. It will be a good product for somebody who has already studied Accounting I and Accountin II. If you are currently taing Accounting I and II, may be moreefficient to read and review the text, and later review with this Qucikstudy.

gotta learn. this helps

Great reference for a student or professional

Quick study business very disappointed in this material.Also very unorganized.

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Senin, 16 Mei 2016

Ebook Free Ballet for Martha: Making Appalachian Spring

Ebook Free Ballet for Martha: Making Appalachian Spring

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Ballet for Martha: Making Appalachian Spring

Ballet for Martha: Making Appalachian Spring


Ballet for Martha: Making Appalachian Spring


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Ballet for Martha: Making Appalachian Spring

Product details

MP3 CD

Publisher: Brilliance Audio; Unabridged edition (October 11, 2016)

Language: English

ISBN-10: 153188167X

ISBN-13: 978-1531881672

Product Dimensions:

6.5 x 0.6 x 5.5 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#6,150,331 in Books (See Top 100 in Books)

Delightful storytelling for young readers; America dances when "Pacific Overtures" meets "Appalachian Spring". All America celebrates when Martha and Aaron and Isamu do the "Shaker."The noted and revered American artist, Isamu Noguchi, born in Los Angeles, was taken to Japan by his mother to meet his estranged father when he was three, and then sent back to America when thirteen to "reclaim his heritage". "Thirteen-year-old Isamu, his suitcase packed with his carpenter tools, traveled alone by steamship to California, then by train to Indiana to a boarding school his mother had read about in a magazine. Like Martha, his first view of the huge American landscape was through a train window. He arrived at the school, only to find that it had been closed to become an army base to train troops for World War I (1914-1918). Isamu stayed with a [local] family in a nearby town [LaPorte IN] until he graduated [from the local Public High School in 1922]." In his own words he had become "a real Hoosier."That historic aside doesn't interfere with the delightfully pictured storytelling that takes a youngster soaring in his mind's eye through Americana. --Glenn Ralston

I bought this to use in my classroom with the book. It is a great resource to introduce students to ballet, choreography, stage, and composing.

This nonfiction children's books celebrates the collaboration of Aaron Copland's majestic, yet playful, "Appalachian Spring", Martha Graham's innovative dance, and Isamu Noguchi's minimalist artistry. The illustrations convey movement and music. The book does a marvelous job of introducing children to ballet, Appalachia, innovators, and collaborators. The only improvement I could see would have been to include a CD of Copland's score. When using this book in a library program I play Copland's piece. I gave this book as a high school graduation gift to a young woman who is a ballet dancer and who has a passion for children's literature. A perfect fit.

When I made this purchase I was not aware that this was a childrens history/picture book of the creative process of making "Appalachian Spring." Although I very much enjoy the drawings and information it is very much a book for children. I think this would be great for a teacher or library that wanted to teach that Graham was more than a cracker.If your looking for a deep, all-telling description of the making of Appalachian Spring...Ballet for Martha this may not be for you. However its a honestly enjoyable picture book for anyone who enjoys Graham.

This book provides an lovely story while sharing history. It's perfect as a read aloud for young ballet lovers or for an elementary student to read on their own.

A remarkable book, by two people who could not have known Martha. Accurate and illustrated by some one with a real feeling for dance. Appropriate for young people and adults with an interest ln dance.

We checked this book out of the library because it was illustrated by Brian Floca, a favorite at our house. He did not disappoint! The illustrations are powerful and moving; a great tribute to the ballet.This story is actually more interesting than I thought it would be. The book is essentially the biography of the ballet Appalachian Spring much like The Music in George's Head: George Gershwin Creates Rhapsody in Blue is a biography of Rhapsody in Blue. I was not familiar with Martha Graham or Isamu Noguchi but I enjoyed learning about them, along with Aaron Copeland, with my daughter. I also particularly enjoyed some of the Martha Graham quotes included. “My dancers never fall to simply fall. They fall to rise.” I also liked the quote, “Ugliness, if given a powerful voice, can be beautiful.”

Collaboration. True life stories of collaboration told in a picture book format. It's a challenge that I give myself: Name such stories off the top of your head. If you're a children's librarian then surely you can think of one or two, yes? So I start to think about it. Let's see . . . well, there was Amelia And Eleanor Go For A Ride, but that was more a story about two strangers meeting nicely than a tale of collaboration (the same could be said for When Harriet Met Sojourner). It shouldn't be that hard to think of such stories though, right? I mean, we're constantly telling our kids that cooperation is an essential skill. We teach them to share. We (hopefully) give them the chance to learn about the essential give and take that exists when two or more people try to create something new together. Yet my mind is a perfect blank until I look over and see my copy of Ballet for Martha perched on the arm of my chair. The tale of how a dancer, a composer, and an artist/set designer is a true story that shows how professional adults can work together, regardless of differences in background, ethnicity, or experience."Sometimes art is made by one artist, working alone, but sometimes it is the result of artists working together - collaborating - to forge something new." New was not an unfamiliar word to dancer Martha Graham. She spent a great deal of her life exploring new types of dance in the mid-20th century. And when she wanted to make a dance about American living, she turned to composer Aaron Copland. With much revision to her vision, Copland wrote for Martha music based on the old Shaker hymn "Simple Gifts". After that, Isamu Noguchi was hired to create the spare sets for the production. The show was called "Appalachian Spring" and it has since become an American classic. The kind that can be recreated and reenacted forever, all because three different people got together to make a ballet that displayed their best works. A "Curtain Call" afterword says more about the lives of each of the three artists and a Notes and Sources section includes a Bibliography, Web Sites, and additional Notes.Now as I see it, it would make very little sense to write a book about the creation of "Appalachian Spring" if you used an overabundance of flowery language. As such, I can't help but think that Greenberg and Jordan made a conscious decision at some point in the game to write the book with plain, simple text. The words are full of description but don't overwhelm Floca's illustrations. Sentences like "The bridegroom twirls with his bride. Then she prances in quick small steps" do an excellent job at conveying precisely what this ballet would feel like to watch. Even before you get to the pictures, the authors have synthesized the show's process into a scant 48 pages. And while the bulk of the focus rests on Martha, the writers continually pull the focus back to the music, the set, the set, the music. Even if Copland and Noguchi aren't prancing around the stage with Martha, they're present in even piece of the dance. They are as much a part of this show as she is. This book works because it doesn't shove them off to the side or conveniently forget about them. After all, all shows are collaborations. And as the very last sentence reads, in cases where new productions of "Appalachian Spring" are mounted, ". . . the collaboration will be created anew."At first I felt that the book was near bereft of conflict. This is Martha Graham we're talking about. She knew what she wanted, she got it, and she was not a pushover. One has to assume that there were moments of tension within this collaboration. Rereading Ballet for Martha, though, I located those moments. There was the dancers' initial discomfort with Noguchi's set, for example. Or the fact that sometimes when Martha couldn't get a dance right, "She has a tantrum. She screams. She yells. She throws a shoe. The dancers wait. Martha figures it out." When writing her plan for the ballet to Aaron he had her rewrite her ideas until they made sense. The conflict is there, but it's useful conflict. The kind that includes the kind of give-and-take you need to work on a single vision with someone else.When it comes to establishing a time or era set in the past, Mad Men's got nuthin' on Brian Floca, and you can quote me on that. The man's range is extraordinary. One minute it's cute little mice in books by Avi, the next he's delving into a light fantasy, and then the next thing you know he's taking our men to the moon. Ballet for Martha reigns Floca in a bit, after the massive success of Moonshot though the two books have more similarities than differences. For example, Floca allows himself the occasional sweeping vista, as when we see the fictional farmer and bride staring out over a vast, near empty prairie. But where Moonshot was all about the mechanics and grandiose heart-stopping breadth of space itself, Ballet for Martha zeroes in on the individual. That's a funny thing to say, considering that the book is collaboration-based, but it's true. Floca shows us the human body in motion. From Graham's distinctive contraction and release style to the ways in which a person moves in a single space. He's also very good at showing collaborative dancing, where a person is meant to share space and movement with another. In essence, share the spotlight. Which, to a large degree, is the very point of the book itself.Beyond the watercolors, I was interested in the ways in which Floca uses handwriting to make a point. This happens only three or four times in the book, but it was enough to catch my eye. The most riveting picture, possibly in the whole book, is the one Floca created for Graham's 1929 piece "Heretic". There we see a wall of women in black, a single woman in white on her knees before them, and the words "Heretic, 1929" scrawled in white in a lower right hand corner. This imposing use of handwriting stands in contrast to previous page where the black on white writing explains the contraction and release movements so aligned with Graham's work. The only other real time handwriting is invoked comes when Floca illustrates the orchestra. Though the text explains who is present, Floca's handwriting touches on each member's instrument. You might not notice that there is handwriting in the book on a first or second read, but on the third or fourth it catches your eye. Maybe that's why Floca chooses to use it. It's a way of drawing your attention to something in a firm but subtle way. Something to ponder, anyway.The book would pair very well with individual biographies of each of the three collaborators, like Noguchi's bio, The East-West House: Noguchi's Childhood in Japan by Christy Hale or Russell Freedman's Martha Graham: A Dancer's Life or Mike Venezia's Aaron Copland (there's not a lot on Copland out there for kids). Alas, the Bibliography at the back of this book contains a list of titles more appropriate for adults than kids, so you won't find any of these books mentioned there. Still and all, I suspect that there's enough information in this book to get some people interested in seeking out the original music (or video of the performance on YouTube for that matter).Just as the original ballet was a collaboration between three people, so too is this book. Two authors plus one illustrator equals a way of telling a story that is too often ignored. Practical applications for collaborating with others based on real world events in a picture book form? Rare. Books that read and look this good together? Rarer still. A book that works as both a practical object and a beautiful text. Sometimes we just need stories that show us how to make things.

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Minggu, 01 Mei 2016

Free PDF The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith

Free PDF The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith

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The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith

The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith


The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith


Free PDF The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith

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The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith

Product details

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Audible Audiobook

Listening Length: 7 hours

Program Type: Audiobook

Version: Abridged

Publisher: Zondervan

Audible.com Release Date: November 4, 2010

Language: English

ASIN: B004AUNOKO

Amazon Best Sellers Rank:

The book is full of information. It is a little difficult to read based on much of the information being in text form. The book has many good points. I think the book is a little redundant. A book maybe half this size with the same information might be better.I think you should buy and read this book. It is definitely worthwhile. I believe the statistics might be a little skewed, but not to the point of changing any of the points made in the book.This book is insightful and true. It is also convicting in many aspects. Our church bodies are failing. We as individual Christians are also failing. This book will tell you why and how.

If only 19 percent of church going people read their Bible daily - what about those who do not attend? The fastest growing religious group in the U.S. is that of those who claim no religious affiliation. Tom S. Rainer has done a masterful work in "The Unchurhed Next Door." He has classed those "next door" as being either - U1,U2,U3,U4,U5 - He discussed the profile of eact toward the church - Antagoinstic, Resistant, Netural, Friendly, etc...Their beliefs and attitudes toward churchgoers, the Bible, God, etc. This book will be of great help in identifying the class of the "unchurched" and how best to approach them with the message. I found and find this book to be easy reading and of great help and interesting..

The book was helpful in taking a more optimistic and faith-based view of evangelism. It was interesting to actually have their evangelistic efforts carefully evaluated by how open people were.

This book provided helpful research-based conclusions and strategies for sharing the message of Jesus. I highly recommend the book for thoughtful followers of Jesus.

A must read for the body of Christ! We have to reach the Unchurched, this is the bodies great commission. Again awesome book!!!!!!!!!

What I have read so far has met my expectations.

Superb research. THe U1-5 concepts will really help in addressing unchurched people the right way. Thank you Tom Rainer!

So true wish everyone could read this book and make a difference

The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith PDF
The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith EPub
The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith Doc
The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith iBooks
The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith rtf
The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith Mobipocket
The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith Kindle

The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith PDF

The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith PDF

The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith PDF
The Unchurched Next Door: Understanding Faith Stages as Keys to Sharing Your Faith PDF